Jong Oh's artistic practice is quite particular since he does not use a studio but creates minimal sculptures in situ that respond to a given spatial situation. Responding to the nuanced configuration of each site, the artist constructs spatial structures by suspending and interconnecting a limited selection of materials: rope, chains, fishing wire, perspex, wooden and metal rods and painted threads. The elements of the work seem to float, and depending on the spatial relationship of the viewer with it these elements are connected and cross each other or appear as absolutely independent, suggesting additional dimensions to the simple three-dimensional space. Sometimes the threads that suspend these elements are practically invisible and sometimes the artist paints the thread lightly, reinforcing the visual presence of the element. Jong also uses lighting to create his compositions, where real shadows or painted lines by the artist in graphite extend his ethereal structures and favor the effect of optical illusion in a dialogue of lines and planes. His practice defies the traditionally expected assumption in sculpture of dense masses and heavy objects, acting like simple yet complex drawings that point out the particularities of the space they inhabit.
Jong Oh was born in Mauritania in 1981 and grew up between Spain and South Korea. He currently lives and works in New York, where he graduated in a MFA at the School of Visual Arts after earning his BFA at the Hongik University in Seoul. Jong has exhibited extensively in the U.S., Korea, Mexico and in Europe. His work belongs to public collections such as the Maxine & Stuart Frankel Foundation in Michigan (US) and the Kablanc Otazu Foundation in Navarra (Spain).