Nayda Collazo-Llorens, born in San Juan, Puerto Rico, is a visual artist engaged in an interdisciplinary practice incorporating multiple mediums and strategies. Through her practice, she examines the way in which we perceive and process information, dealing with concepts of navigation, memory, language, hyperconnectivity and noise. Recent projects include the following solo shows: Unmappings, LMAKprojects, New York, NY, 2018; RE_SIGHTINGS, Urban Institute for Contemporary Arts, Grand Rapids, MI, 2016; and Debajo de la casa, El Cuadrado Gris, San Juan, PR, 2016. Some of her site-specific installations include: Stranger Land, Arcus Center for Social Justice Leadership, Kalamazoo, MI, 2014-16; Pleasure, Fear and the Pursuit of Happiness, Miami Beach Botanical Garden and Bass Museum of Art, Miami Beach, FL, 2013; Revolú*tion, 3rd Poly/Graphic Triennial, San Juan, PR, 2012; and Reverb, Museo Universitario del Chopo, in Mexico City, 2012. Previous projects include a site-specific installation titled Reverberación at the Museum of Contemporary Art in San Juan, PR, 2010; ESCaperucita & Little Flying Hood, a multi-disciplinary project produced for the 10th Havana Biennial, Havana, Cuba, 2009; and Unfolding the Triangle, a series of site-specific installations of which the first installment was at the Mattress Factory, Pittsburgh, PA, 2009-10.